Cine-film projection : a practical manual for users of all types of 16-mm. (1952)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

justed (before the start of the show) to give sufficient light for the coloured film, care being taken to see that the voltage does not exceed the limit of the lamp's rating, i.e., a no-volt lamp may be run at 115-volts, but only for short periods, and only when absolutely necessary for better lighting. It is not advisable to do this, however, unless you have a spare lamp at hand, as over-loading the lamp considerably lessens its chance of survival after middle-age ! Another thing to remember is that coloured films may have the emulsion on either side, and it is impossible to foretell on which side it will be until you are able to examine the film. Coloured films must therefore be watched in relation to the sound, for the scanning beam is finely focussed on one side of the film only — the emulsion side. Re-focussing the projection lens is nearly always necessary, but to alter the focussing of the scanning beam is something which should not be attempted unless the operator is sufficiently skilled, or is positive that the cause of low sound is not due to something else — a print with a low recording level, for instance. Any alteration to the soundoptical system must be carried out with extreme care and gentleness, as the slightest adjustment either improves the sound or entirely eliminates it, and both the operator and the audience are thus likely to be surprised. The use of coloured slides call for the same precautions as with films — sufficient light, and refocussing whenever necessary. But always attend to the voltage BEFORE the show. At the End of the Show Immediately after the end of the performance, switch off and disconnect the mains lead. If the equipment is then to be packed up and taken away, next follow this routine: — Wind up mains-cable Disconnect and wind up speaker-cable Lower and pack-up screen Count and pack films Count and pack spares Fold or disconnect spool-arms on projector Put all switches at "Off" and controls at "Zero" Lower projector tilting-device You will notice that these instructions require you first to H 113