Cinema Canada (Oct-Nov 1974)

Page scan 00039 from Cinema Canada

Record Details:

Title:
Cinema Canada
Date:
Oct-Nov 1974
Volume:
Cinema Canada (Oct-Nov 1974)
Leaf #:
00039
Language:
English
Collection:
Canada, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library, Canadian Media Magazines Project, Conorr Norquay, Paul Moore and Jessica Whitehead
Coordinator:
Media History Digital Library
Description:

Cinema Canada

Earlier Title: Canadian Cinematography (1961-67)

Cinema Canada (1967-89) was the primary trade journal for film and television production in Canada. The magazine originated as Canadian Cinematography (1961-67), published by the Canadian Society of Cinematographers, but was renamed to appeal to a wider readership and to recognize a degree of maturity of the national film production industry. Cinema Canada hosted a new slate of stridently nationalist film critics, scholars and writers. The magazine’s emergence coincided with a threshold, of sorts, when a national cinema became recognizable in character as having an independence from Hollywood genres, even if output remained relatively small in quantity. The publication’s archives are housed at the Toronto International Film Festival’s Film Reference Library.

– Paul Moore, 2024

Date Added:
August 15, 2024
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nionkeus ix ne AGGIE Traditionally, clowns were the consciences in the courts of Kings and the centres of empires — Monkeys in the Attic — A Tale of Exploding Dreams — Produced, Directed and Edited by Morley Markson; Script by John Palmer and Morley Markson; Associate Producer and Assistant Director — John Board; Camera — Henri Fiks; Assistant Cameraman — Fred Goute; Sound — Billy Nobels; Second Assistant Director — Phil McPhedran; Assistant Editor — Eric Johannessen; Sound Editor — Al Streeter; Production Secretary — Lorna Foreman; Continuity — Penny Hynam; Sets and Design — Tony Hall, Arnaud Maggs; Assistant Designer — Patricia Gruben; Costumes — Vinetta Strombergs; Grip — Louis Graydon; Gaffer — Peter Dawes and Doug Beube; Mixer — Paddy Cunningham; Fight Scene Co-ordinator — Bob Orrey; Music by John Wyer and Nexus. Cast — Jackie Burroughs, Victor Garber, Louis del Grande, Jim Henshaw and Jess Walton. Labwork by Quinn Laboratories and Mirrophonics. Produced with the assistance of the Canadian Film Development Corporation. Feature-length, colour, 35mm. Distributed by Ambassador Films. Best Foreign Film — Toulon Film Festival 1974. 38 Cinema Canada A. Ibranyi-Kiss The first time I met Morley Markson, he was screening Breathing Together — The Revolution of the Electric Family at the Toronto Filmmakers Co-op. The Co-op was then in Rochdale. Markson was then into the smile of the Immune. After the showing, a young actor asked him, ‘‘Who was that guy who could only play one chord?” Referring to Allen Ginsberg ... Markson smiled his smile, and started to explain that all chords were in that chord and what Ginsberg was trying to achieve through mantras.... Breathing Together was already a classic. Shown at the Semaine de la Critique at Cannes, it had also won First Prize at Scenes from “‘Monkeys in the Attic”