We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
Like making love, it takes a little practice.
Making films. It’s not easy. But like loving, it can be a lot of fun. And some of it takes a lifetime of learning.
If you’ve ever watched a Timer, deciding which colours to go with, you know it isn’t all science. Nossir. Or a Mixer, trying to coax the best mix out of three different tracks.
It’s an art.
That’s why a lot of film makers spend a lot of ttme around Film House.
If you love film, it’s like home. There
People you know.
Len Baker, Night Supervisor ¢ Gord Campbell, Department Head, Developing ¢ Paul Coombe, Mixer e Clarke DaPrato, Mixer @ Colin Davis, Laboratory Technical Supervisor © Ed Dobbs, Late Shift Supervisor @ Bill Duncan, Sales ¢ Brian Foran, Order Desk e Stan Ford, Rentals Manager @ Bill Hambley, Laboratory Manager ¢ David Herrington, Chief Timer ¢ Ian Jacobson, Mixer @ Bill oe atone, Timer @ Wilson Markle, Sales ¢ John Milton, Department Head, Printing ¢ Ron Morby, Production Supervisor ¢ Paul Norris, Order Desk ® Leo O’Donnell, Technical Director ¢ Michael Ryan, Post Production Coordinator © Andy Shepherd, Timer @ Cyril Steckham, Machine and Transfer ¢ Ken Unwin, Engineering @ Tony van
are people to talk to. People who care what happens to your film. People who Jive film.
And there’s also the equipment you need to make a good film. The Labs. The Theatres. The Rentals. In the new Film House, everything is built for dependable quality. It is, as you know, the secret of the business.
So let’s do some work together soon. Like with loving, you can never get too much practice.
den Akker, Mixer ¢ (And Al Streeter is on hand with a comprehensive library of over 10,000 sound effects).
And what we do.
Eastman Colour Negative II and Print © Colour Reversal Intermediates (CRI) ¢ Ektachrome and Gevachrome with Sound @ Answer and Release Printing © Personalized Service © Three Mixing Theatres, including Voice Recording, Effects Recording, Colour Telecine and Transfer to Sony 4" Cassette, Continuous Double System Screenings ® Magnetic and Optical Transfers © Sound Effects Cartridges ¢ Separate Rushes Transfer Room @ 8-Track Music Mixdown.
Our house is your house.