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World famous lighting cameraman Arthur Ibbetson found a few minutes between filming to chat to David Holmes, Managing Director of Lee Filters.
~ DH “It's looking as hectic as ever Arthur. Reminds me of my many years rie encounter as a lighting cameraman.” Al ‘Yes, with such high production costs these days we're always trying to keep up to the shooting schedule.’
on the Set at H ‘‘I'm delighted to see that you're using Lee filters — | hope we're contributing to an efficient production.”’
Al ‘Well, we've gone for Lee filters because they've such a long life.
Pinewood Studios os 222" DH “The answer lies in the base. It’s Melinex — a polyester film from 1.C.I.
that's really tough. And heat-resistant, too!” aS D t Al “That certainly stops us having so many disrupting burn-outs.
fe ween But the colour consistency is so good. It solves lots of problems for us, you know.” “Through my experience as a lighting cameraman |'ve always felt that
Arthur lobetson colour consistency was vital. That’s why we've installed a special
Bone Craven coating machine at our Andover plant — and we back it with vigorous colour control checks using |.C.1. digital colorimeters
and and Beckman spectrophotometers.”’ “It really does make sense, David. Long-life filters with near-perfect colour control. That’s what | need!” ' ‘Well, there’s just one thing, Arthur. That’s service. You know, I’m avi O ; leas proud that we’re able to deliver every colour in the filter range off-the-shelf for you. So that there’s absolutely no loss of continuity at any time.”
Write to us today and we'll show you why Arthur Ibbetson makes Lee Filters his first choice. And we'll put you in touch with your local stockist straightaway.
LEE FILTERS LIMITED
Walworth Industrial Estate, Andover, Hants., England. Tel: Andover (0264) 66245 Telex: 477259