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Scene from ‘‘Kidstuff’
but two things should be noted: one of the main reasons Global was licensed was to produce Canadian programming, and the head of Global used to run CHUM radio in Toronto, whose programming is done by Americans. So now we have another American network to watch, and we made it ourselves.
Festivals, Awards, Honours
Now that Cannes has passed, the festival season moves into high gear for summer and fall gatherings. Currently on view are a group of films by women to form part of the month-long Festival of Women and the Arts in Toronto. Canadians contributing include Joyce Weiland, Sylvia Spring, Deborah Peaker and Marie Waisberg. June 15-18 saw the AMTEC (Association of Media and Technology in Education in Canada) gathering in Edmonton. For users and suppliers of educational aids in the visual area, the conference featured Knowlton Nash as guest speaker, Christopher Sarson on software, Kenneth Komoski on learner verification, and John de Mercado on people and machines. The Educational Film Library Association in New York heldits annual American Film Festival June 2-7. Included in the program was André Leduc’s Tout Ecartille
director Bill Davidson, writer Martin Lager andcastJan Rubes, Jim Henshaw, Susan Petrie, and Paul Bradley createda well-received film, according to those who attended. Media 75 was held in Toronto in May, featuring several film panels for people in the media and the public.
Several festivals have announced dates and some idea of program, so you can plan vacations or drop in if you're passing through. Filmexpo has returned to a summer date, August 8-15 to be exact, and to its original location. Ottawa’s National Arts Centre Theatre. Director of Programming Wayne Clarkson (1762 Carling Avenue: phone 729-1593) has slated some films definitely, including Les Ordres, Jack Hazan’s A Bigger Splash, Ken Hannam’s Sunday Too Far Away, and is negotiating for Henry Jaglom’s A Safe Place, André Forcier’s Bar Salon, 1975
Jan Rubes and Danny Forbes in ‘‘Lions for Breakfast’’
shown in a special series called Film as Art. And the Guelph Spring Festival included a real old fashioned movie premiere: Lions for Breakfast was shown at the Palace Theatre with dinner before and a party following, as wellas a lion in the lobby. Producer Tony Kranreither,
Cannes Special Jury Award winner Everyman for Himself and God Against
All by Werner Herzog, Andrezej Wajda’s Land of Promise, Monte Hellman’s Cockfighter, Joan Micklin Silver’s Hester Street, plus other Canadian and foreign features.
Cinema Canada 9