We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
THE WINNERS
Best Feature Film: 1975 Les ordres.
Film of the Year: 1974 The Apprenticeship of Duddy Kravitz.
Feature Film Craft Awards Direction: Michel Brault, Les ordres. Performance by an actress: Margot Kidder, Black Christmas and A Quiet Day in Belfast. Performance by an actor: Stuart Gillard, Why Rock the Boat? Supporting actress: Lila Kedrova, Eliza’s Horoscope. Supporting actor: Henry Beckman, Why Rock the Boat? Original screenplay: Michel Brault, Les ordres. Screenplay adaptation: William Weintraub, Why Rock the Boat?
Category Awards Feature film, non-fiction: Janis.
Documentary film over 30 minutes: Cree Hunters of the Mistassini. Documentary film under 30 minutes:
At 99: A portrait of Louise Tandy Murch. Animated film:
The Owl Who Married a Goose. Theatrical short film:
Along These Lines. TV drama film:
A Bird in the House.
Craft Awards, Feature and Non-Feature Films Direction, in a non-fiction film: Robin Spry for Action and Face. Performance by an actress in a non-feature fiction: Jayne Eastwood for Deedee. Performance by an actor in a non-fiction feature film: William Hutt for National Dream. Supporting actor or actress in a non-feature fiction: Pat Hamilton for A Bird in the House. Non dramatic script, feature film: Donald Brittain for Dreamland. Screenplay in a dramatic non-feature: Patricia Watson for A Bird in the House. Editing ina feature film: Stan Cole for Black Christmas. Editing in a non-fiction feature film: Arla Saare for Next Year in Jerusalem. Cinematography in a feature fiction film: Paul van der Linden, for Eliza’s Horoscope. Cinematography in a non-fiction film: Ken Gregg for Next Year in Jerusalem, Deedee, A Bird in the House. Art direction ina feature film: Francois Barbeau for Eliza’s Horoscope. Sound editing ina feature film: Ken Heeley-Ray for Black Christmas.
The chairman of the 1975 Canadian Film Awards jury was writer, broadcaster, festival director, juror, teacher and head of the Ontario Film Institute, Gerald Pratley.
Members were (from |. to r.) Polish filmmaker, teacher and theoritician Tadeusz Jaworski; Montreal director Denis Héroux; Czech filmmaker Vackav Taborsky; director, writer, actress and critic Janine Manatic; Vancouver Star critic Les Wedman, Czech writer Josef Skvorecky.
Sound editing in a non-feature film: Barry Greenwald for Metamorphosis.
Sound recording in a feature film: Patrick Rousseau for The Apprenticeship of Duddy Kravitz.
Sound recording in a non-feature film: Jean-Pierre Joutel, for Goldwood, The Owl that Married the Goose, Whistling Smith.
Sound recording in a non-feature film: Dan Gibson for Wings in the Wilderness.
Sound recording ina feature film: Steven Dalby for Eliza’s Horoscope and The Apprenticeship of Duddy Kravitz.
Original Music Score Non feature film: Marius Benoit for La Légende du Vent. Feature film: Nick Whitehead and Black Creek for Lions for Breakfast.
The jury gave three special awards for “auteurs”’ contribution to: John Straiton for Horseplay (animation), Michael Asti-Rose for Silent Movie (short fiction), Gordon Sheppard for Eliza’s Horoscope (feature film).
There was no award given in the experimental film category, nor was there a Wendy Mitchener Award.
The John Grierson Award was presented to exCRTC chairman Pierre Juneau.
november 1975 / 25