Cinema Canada (Dec 1977-Jan 1978)

Page scan 0002 from Cinema Canada

Record Details:

Title:
Cinema Canada
Date:
Dec 1977-Jan 1978
Volume:
Cinema Canada (Dec 1977-Jan 1978)
Leaf #:
0002
Language:
English
Collection:
Global Cinema, Canada, and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library, Canadian Media Magazines Project, Conorr Norquay, Paul Moore and Jessica Whitehead
Coordinator:
Media History Digital Library
Description:

Cinema Canada

Earlier Title: Canadian Cinematography (1961-67)

Cinema Canada (1967-89) was the primary trade journal for film and television production in Canada. The magazine originated as Canadian Cinematography (1961-67), published by the Canadian Society of Cinematographers, but was renamed to appeal to a wider readership and to recognize a degree of maturity of the national film production industry. Cinema Canada hosted a new slate of stridently nationalist film critics, scholars and writers. The magazine’s emergence coincided with a threshold, of sorts, when a national cinema became recognizable in character as having an independence from Hollywood genres, even if output remained relatively small in quantity. The publication’s archives are housed at the Toronto International Film Festival’s Film Reference Library.

– Paul Moore, 2024

Date Added:
May 23, 2025
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December 1977/January 1978 Number 43 Editor/Publisher: Jean-Pierre and Connie Tadros. Toronto Advisory Board: Clive Denton, Robert Fothergill, Peter Harcourt. Assistants to the Editor: Del Mehes (Toronto) and Michele Caron (Montreal). Art Direction: Louis Charpentier. Copy Editor: Charles Shannon. Advertising Manager: June Pike. Correspondents: Chuck Lapp (Halifax), Peter Bryant (Vancouver), Len Klady (Winnipeg). Contributors: Robert Rouveroy (Rough Cut), Rodger J. Ross (Tech News). Cinema Canada, founded by the Canadian Society of Cinematographers, is published by the Cinema Canada Magazine Founda. tion. President: Jean-Pierre Tadros, VicePresident: George Csaba Kcller, SecretarvTreasurer: Connie Tadros, Directors: Agi Ibranyi-Kiss and George Campbell Miller. Editorial information: All manuscripts, drawings and photographs submitted must be accompanied by a self-addressed stamped envelope. While the editors will take all reasonable care, they will not be held responsible for the loss of any such submissions. Opinions expressed within the magazine are those of the author and not necessarily those of the editors. Cinema Canada is indexed in the Film Literature Index (Albany) and International Index to Film Periodicals. Member of the Canadian Periodical Publishers’ Association. No part of this magazine may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without per-. mission in writing from the Publisher. Cinema Canada Magazine Foundation is a nonprofit organization: Canadian Charitable Organization no. 044-1998-2213. Published with the financial assistance of the Canada Council, the Ontario Arts Council and the City of Toronto. Second class mail registration no. 3081, return postage guaranteed. Subscription rates for ten issues yearly: normal $8.00, institutions $15.00, foreign $10.00. Notice of change of address should include your old address as printed on a recent issue. For subscriptions write to Box 398, Station Outremont, Montreal H2V 4N3, P.Q. Subscriptions are not refundable. 67 Portland St. Toronto, Ont. M5V 2M9 (416) 366-0355 Box 398, Outremont Station, Montreal H2V 4N3 (514) 272-5354 CONTENTS JAN 29 1978 Céline Lomez and Elliot Gould get friendly during the ' shoot of The Silent Partner. On page 16 there’s an article about the executive producer, Garth Drabinsky, and on page 18, an interview with director of photography, Billy Williams. Cover: a" oo, a oR BF oe i. f c Ve $ } t 1 & we a a 7 wakes & eal “al ri; = ; 2 ie & ba ae SOCIE 4 Reverb 6 Spotlight: Curly Posen 16 Soaring Like a Star: Garth Drabinsky Gtinter Ott Mark Irwin 18 ASoftlight Man: Billy Williams Nathalie Edwards 23 And On the Eighth Day (CFA 1) 26 Feedback (CFA 2) Nik Burton 32 The Oldest, Continuing North American Fest 34 Tech News: Image Transform by Rodger J. Ross 36 Book Reviews: This Is Where We Came In by Martin Knelman, reviewed by John Hofsess 40 Films Reviews The best laid plans... Unfortunately, lack of space has obliged us to hold back the announced articles concerning scriptwriting until issue no. 44 (which will be out in mid-January). Then, readers can ponder the facts in Gordon Roback’s survey of film professionals as they are asked about scriptwriting, and can get a feel — with a little help from Douglas Bowie — about the tensions involved when one tries to write for film. Issue no. 43 does include an additional section about Martin Delfalco’s film, Cold Journey. This section was sponsored by the Department of Indian Affairs, in conjunction with the National Film Board of Canada. December-January 1978 /3