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established company since the production of Outrageous was enormously helpful in putting together the financial package. “If this was the last year of the tax writeoff, it wouldn’t hurt Bill (Marshall) and me.”
The Film Consortium went to public placements (the sale of securities on the open market) to finance the production. Once the budget is beyond one-and-ahalf million, it is simply no longer practical to assemble private backers, says Van der Kolk. Going public is itself an adminis
tratively expensive process, in this case
accounting for close to thirteen percent of the total budget.
Canadian talent in Circle of Two included Kate Reid, Tudi Wiggens, and Patricia Collins.
Rex Bromfield (writer/director of Love at First Sight) is on the set as a paid observer. His presence on _ location evolved from an agreement between the producers and the CFDC to give younger Canadian directors the occasion to study first hand the method of an established director.
Bromfield describes the experience as
“very valuable,” particularly insofar as he can compare his own ideas and approaches to upcoming scenes with Dassin’s, and, evaluate their differences in technique. Bromfield also feels that he is in a privileged position to evaluate the relationship between the director and crew. “The whole crew is in on this film” he says, “there is no sense of alienation.”
Circle of Two will probably see a MayJune ’80 release.
Philip Jackson
CINEMA WORKSHOP introduces
PRODUCING: Overview of the Canadian industry; feature production; financing; tax shelters; certification; CFDC; completion bond; sales-distribution, packages; securities; dealers; TV networks, documentaries, grants, short films.
PRODUCTION: Organizing & managing the production; preparing shooting script; budgets, schedules; coordinating the crew; basic film directing.
PHOTOTECHNOLOGY: Film stocks-survey comparison; basic photographic theory; laboratory operations-processing & printing; film effects.
LIGHTING: Introduction to basic lighting techniques; interior & exterior; gaffing equipment.
CINEMATOGRAPHY: Cameras & camera operation with Arriflex BL; lenses & optics; shooting technique
for sync-sound filming; filters; lignt meters; exposure control; camera support; etc. |
SOUND: Operation of Nagra sync-sound recorder; wild and sync-sound recording patel es for film; transferring and mixing.
EDITING & POST PRODUCTION: Organizing your editing; using the tools & materials of the editor, Steenbeck operation; editing picture and sound.
Workshop group will produce a 16mm film
WEEKENDS November 10th — December 1st $120. for complete workshop
presented by .
CMP Film Production 48 Beverley St., Toronto, Ontario (416) 368-9072
Contact: Paul Eichgrun
Cinema Canada/7