The cinema : 1952 (1952)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

THE LAVENDER HILL MOB 47 shorty: Meaning you don't trust us? Lackery also stops work. He looms over Holland, his ugly face ferociously resentful. lackery: Meaning you think we shopped him? Holland {hurriedly: No, no please don't get me wrong ... Shorty flings down a gold bar in disgust. He glowers at Holland. shorty: Ruddy insult. ♦ As the tension increases, the camera tracks in. The two crooks look most menacing. For a moment it is not clear whether or not their anger will get the better of them. 70 Close Shot. Lackery suddenly relaxes. 71 Interior Medium Shot in Warehouse. Holland, Shorty and Lackery. Reverse of Shot 6g. lackery {to Shorty) : Get on with it. First job he's a bit worked up, that's all. Holland: Yes, I do apologize most sincerely. shorty: Okay, boss forget it. We all had to start once. Work is resumed. The camera tracks out. 72 Very Long Shot of Cross Roads. Holding the cross roads in foreground and St PauVs in background. Police are everywhere and patrol cars are moving into the area. 73 Long Shot of a Bridge over Thames. A patrol car takes up a strategic position at the end of a bridge. 74 Long Shot of a Street with Warehouses. A second patrol car weaves its way amidst the lorries standing in a street of warehouses. 75 Close Shot to Medium Shot in the Warehouse. The camera starts on a gleaming pile of gold bars stacked now in the