The cinema : 1952 (1952)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

68 THE CINEMA Anyone feels cut off when the people around him are constantly speaking a foreign language he does not understand, and this isolation reaches one of its climaxes when the little child Hanzel starts the rumour that it was Holly himself who killed the porter. The fact that it is a child who does this, and a child of this particular kind with a sort of evil genius, should emphasize Holly Martin's isolation in a foreign world even more. Extract from the Post-Production Script of THE THIRD MAN* ANNA AND MARTINS ARE INVOLVED IN THE DEATH OF THE PORTER 1 Close Shot Calloway at the window. He turns back to look off for Anna. galloway: Thank you, Miss Schmidt. We will send for you when we want you. He moves over to window, camera panning slightly with him. Sound of tram running along. 2 Close Up. Anna in profile eyes lowered. She turns away. Dissolve to : 3 Close Shot of neon sign over club entrance reading : CASANOVA REVUE BUHNE BAR Sound of Traffic noise. * Producer/Director: Carol Reed for London Films. Script: Graham Greene. Director of Photography: Robert Krasker. Art Directors: Vincent Korda, John Hawkesworth, Joseph Bato. Editor: Oswald Hafenrichter. Music: Anton Karas. Leading Players: Joseph Cotten, Trevor Howard, Valli, Orson Welles.