The cinema : 1952 (1952)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

82 THE CINEMA martins: Seemed like a good idea. anna: It's just what he used to say. martins: Well, I didn't learn that from him. anna: If we have to see the porter we'd better go. martins: What's the hurry? Can't we talk quietly for a couple of minutes? anna: I thought you wanted ... martins: A moment ago you said you didn't want to see the porter. anna: We're both in it, Harry. martins: Holly. anna: I'm so sorry. martins: It's all right. He leaves the screen. 93 Medium Close Shot. Martins enters picture, picking up coat and hat. martins: You might get the name right. 94 Medium Close Shot Anna at door, looking at Martins. anna: Do you know you ought to find yourself a girl. She opens the door and Martins enters screen picture. Music stops. Dissolve to : 95 Long Shot Anna and Martins walking down side of a wet dark street towards the camera, which is tracking back with them. They stop in foreground, in Close Shot. martins : His English is very bad. We'll let him talk German. You'll just be good enough to trans ... Anna looks off. anna: Look! 96 Long Shot group of people clustered round the doorway of the entrance to Harry* s apartment. An ambulance is parked outside its doors open towards camera. martins: That's Harry's place, isn't it? anna: Yes.