The cinema : 1952 (1952)

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MICHAEL CLARKE Television Prospect Some Reflexions of a Documentary Film-ma^er Michael Clarke, documentary director and writer on film and literary subjects, has had a varied experience as scriptwriter, editor, and director in documentary. At present on the staff of the Films Section, British Transport Commission, he has recently directed^ ork in Progress and Open House, as well as several technical films . In this article he discusses the aesthetic and social future of television. Is television an art-form? Is it a medium? Can we begin to elaborate an aesthetic for it? Is it going to revolutionize our home-life or our social habits? Will it replace the cinema? Will it kill the theatre? Should it entertain? Should it teach? Should it inform? In a disordered spate, these and other questions tumble from the columns of the press, showing the effect that television begins to have on the public mind. The contribution of the press, indeed, is bound to influence the popular attitude to television, perhaps as much as the B.B.G. itself. For televison is news, and as such is subjected to the glamourizing process. At the same time, this powerful force for commercial advertisement and political persuasion is out of private hands, and is thus subject to the fiercest criticism. Yet B.B.C. television has had only eight years of active