The cinema : 1952 (1952)

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SUBSTANCE INTO SHADOW 205 the scope of the medium. This, unfortunately, is not likely to become accepted practice in the cinema for some time. Novels are likely to go on providing commercially attractive film material, and adaptors had better make the best of it. Making the best of it means in most cases stripping the novel's material to its bare essentials and re-imagining it through the sensibility of an artist who works by inclination and experience in the film medium. That it can be done is borne out by films like A Walk in the Sun and Welles' The Magnificent Ambersons. John Ford, with the aid of Nunnally Johnson's adaptations, has taken Steinbeck's and Caldwell's diverse material and triumphantly made The Grapes of Wrath and Tobacco Road his own. These films represent, finally, the only kind of adaptation worth attempting. Behind them the film artist is seen working with the professional freedom and dignity which is naturally assumed by the artist in less commercial fields.