The cinema : 1952 (1952)

Record Details:

Title:
The cinema : 1952
Date:
1952
Publisher:
Harmondsworth : Penguin Books
Volume:
The cinema : 1952
Leaf #:
000285
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

FROM THE WORLD S STUDIOS 221 Shot mainly in Mexico, the film is taken from a novel by Steinbeck about a Mexican missionary. A Walk in the Sun, with Dana Andrews and Richard Conte Directed by Lewis Milestone. Although made over six years ago, this film was shown in Britain for the first time during 1951. Adapted by Robert Rossen from Harry Brown's novel, it is a study of men and war, superbly directed by Milestone. The Whistle at Eaton Falls, with Lloyd Bridges and Dorothy Gish Directed by Robert Siodmak. Produced by Louis de Rochemont in the semi-documentary style, the story deals with labour and management relations in New England. YUGOSLAVIA FraBrne Directed by Fedor Hanjekovich. The theme of the film is the corrupt influence of the monastic system in Dalmatia at the end of the nineteenth century. The Magic Sword, with Rade Markovich Directed by Voyslav Nanovich. A Yugoslav fairy-tale. The Last Day Directed by Vladimir Pogatchitch. A melodrama about a saboteur from an unfriendly foreign power who enters Jugoslavia to work on the Dalmatian coast. The Red Flower Directed by Gustav Gavrin. A realistic study of the clash between Jugoslav Quislings, and Partisans (both Communist and Communist) in a German prison camp during the War.