The cinema as a graphic art : on a theory of representation in the cinema (1959)

Record Details:

Title:
The cinema as a graphic art : on a theory of representation in the cinema
Date:
1959
Publisher:
New York : Hill and Wang
Volume:
The cinema as a graphic art : on a theory of representation in the cinema
Leaf #:
00017
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
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THE COMPOSITIONAL CONSTRUCTION OF THE SHOT with an episode or scene as the smallest element in the production, but in the cinema this disintegration is carried farther. We are compelled to work out the scenario content down to every detail, though the time taken by the action of that detail in the final version of the film may only last a second or two. Yet that detail has to retain all its significance as a constituent element of the production, and is subjected to the general laws of the treatment and construction of the film as a whole. Thus, in the course of analysing cinematic construction we arrive at the conception of the cinema shot, a conception specific to cinema, which we must pause to define. 19