The cinema as a graphic art : on a theory of representation in the cinema (1959)

Record Details:

Title:
The cinema as a graphic art : on a theory of representation in the cinema
Date:
1959
Publisher:
New York : Hill and Wang
Volume:
The cinema as a graphic art : on a theory of representation in the cinema
Leaf #:
00073
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
July 11, 2024
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THE COMPOSITIONAL CONSTRUCTION OF THE SHOT JMP Fig. 45. — Illustration by A. Benois to " The Brazen Horseman He runs to the spot where he had halted first, whence he gets a frontal view : the monument. The moon completely emerges from cloud. The shadow : the ' Brazen Horseman ' falls across him, and this acts as a further impulse to Le development of the hallucination. He is pursued not by the ' Brazen Horsetan ' itself, but by its shadow. He runs across the square, and falls. The moon isses behind clouds, and a dense shadow covers the prostrate Eugene. The lal shot shows the monument standing immovably on its granite rock. And lus we provide a complete explanation of the unreality of the incidents we have ien filming. Thus we arrive at one of the possible forms of directorial treatment. Once 75