The cinema as a graphic art : on a theory of representation in the cinema (1959)

Record Details:

Title:
The cinema as a graphic art : on a theory of representation in the cinema
Date:
1959
Publisher:
New York : Hill and Wang
Volume:
The cinema as a graphic art : on a theory of representation in the cinema
Leaf #:
00098
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
July 11, 2024
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THE CINEMA AS A GRAPHIC ART 65. Editing cut-in. A cloud covers the moon. "Ji direction of the cloud is indicated on the scheme b\i dotted arrow. 66. The shadow of the ' Horseman the frame along the same diagonal. passes acre 67. The ' Horseman's leap \ Effected by 1 editing formula ' of three pieces. First piece : horse's hoof strongly foreshortened with extreme opti distortion. 67a. Second cutting piece. The horse's muz:: 1 strongly foreshortened with extreme optical distortion. 67b. Third cutting piece. Peter's outstretched ar composed perspectively, along the diagonal of the fran The wrist is disproportionately enlarged, owing to optical distortion. (Taken with lens of 25 mm. fa; length.) 68. Part of the Neva embankment seen on t horizon. On the left side is a corner of a house. Lor shot taken from an upper viewpoint. Eugene across the frame and disappears round the corner of t house. On the scheme the direction of his run is in cated by a dotted line. At the point marked by a en he makes a turn. IOO