The cinema as a graphic art : on a theory of representation in the cinema (1959)

Record Details:

Title:
The cinema as a graphic art : on a theory of representation in the cinema
Date:
1959
Publisher:
New York : Hill and Wang
Volume:
The cinema as a graphic art : on a theory of representation in the cinema
Leaf #:
000100
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
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THE CINEMA AS A GRAPHIC ART ^ y 72a. Second cutting piece : the horse's muzzle. 726. Third cutting piece : Peter's face. In all thr pieces the same conditions of shooting are observed in the previous repetitions of this ' editing formula '. 73. The shadow of the ' Horseman ' passes aero the frame in the direction indicated by the arrow (tl contrary direction to that of Eugene in the followir shot). . 74. Long-shot taken from an upper viewpoint. Tl tiny figure of Eugene runs diagonally across the frame. 75. The same set-up. The shadow of the ' Hors< man ' passes along the same diagonal. 76. Eugene runs into the frame and falls. Diagons composition. For some seconds he lies motionless Then he tries to rise. The shadow of the ' Horseman passes into the frame in the same direction, and cover Eugene. 102