The cinema as a graphic art : on a theory of representation in the cinema (1959)

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THE CINEMA AS A GRAPHIC ART ^ y 72a. Second cutting piece : the horse's muzzle. 726. Third cutting piece : Peter's face. In all thr pieces the same conditions of shooting are observed in the previous repetitions of this ' editing formula'. 73. The shadow of the ' Horseman ' passes aero the frame in the direction indicated by the arrow (tl contrary direction to that of Eugene in the followir shot). . 74. Long-shot taken from an upper viewpoint. Tl tiny figure of Eugene runs diagonally across the frame. 75. The same set-up. The shadow of the ' Hors< man ' passes along the same diagonal. 76. Eugene runs into the frame and falls. Diagons composition. For some seconds he lies motionless Then he tries to rise. The shadow of the ' Horseman passes into the frame in the same direction, and cover Eugene. 102