Cinéma (1921)

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6? Demi-gestes demi-phrases monologue d'un seul visage. toutes les tragédies dans l'unique ligne de ses sourcils mais si digne et maître de soi qu'allant tuer sa main méticuleuse en 3 temps ferme la porte Naturel irréprochable ce haut de forme le coiffe un peu oblique tandis qu'il songe lourdement à autre chose En diagonale du cadre comme penché d'avance sur l'événement malheureux Jeune ce n'est pas l'expérience qui réprime sa moue d'adieu Exactement de ce geste