We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
308
CINEMATOGRAPHIC ANNUAL
Eastman Supersensitive Panchromatic
No Filter
No. 21 Filter
No. 29 Filter
1/40 Sec. F.12.5
1 /40 Sec. FA. 5
V2 Sec. F.3.5
K \-\-Vi Diffusion
G Filt
25 A Filtt
1/40 Sec. F.ll
1 /40 Sec. F.5.6
1/5 Sec. F.3.5
/C 3 + 1 H Diffusion
K 3 + 1 Diffusion
1/40 Sec. F.9
1 /40 Sec. F.6.3 1/40 Sec. F.6.3
Medium Sunlight 10 A. A/. Grai/-B/uf Sfey.
kept for reference, or used for pictorial and exhibition purposes. This work is important to studio cinematographers, but even more important to commercial and amateur workers outside of Hollywood, who have less opportunity to gather practical information on these subjects. Their work is of such a nature that an exact knowledge of the latest developments in niters and filtering is of great importance, but unfortunately they are all too frequently unequipped with that knowledge. The use of these small cameras will enable them to make the necessary experiments with the minimum outlay of time and money, and with results of the greatest precision. For their benefit the writer has compiled the following table, showing the filters most commonly used, their results, and their multiplying factors for Eastman Panchromatic Negative film, both the old Type Two and the new Super Sensitive. Space, unfortunately, does not permit the extension of this table to cover the films of other manufacturers than Eastman, but the general facts are applicable to all films, even though the results probably differ somewhat in detail, due to the differing color corrections in the different emulsions.