Cinematographic annual : 1930 (1930)

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164 CINEMATOGRAPHIC ANNUAL To tilt the nose upward use brown shadow in a triangular shape underneath between the nostrils. The Eyes In the eyes we can read many human emotions — sadness, hope, fear, defiance, anger, wistfulness, contemplation. Further, the characteristics of the eyes — the shape, color, setting, eyebrows — indicate types of personality. The eyes can be made to appear offensive or Left: Normal eyes well shaded. Center: Enlarging the eyes by lining the lids. Right: Crow's feet and age lines. unfriendly if they are set too near or far apart. The arrangement of the eyebrows should be in accordance with the desired effect. Sunken eyes may give a threatening or sombre look, depending on how the sunken effect is treated with relation to the other features of the face. To make the eyes appear larger draw a line with the dermatograph pencil around the upper and lower lids. This line must be drawn a reasonable distance from the lash lines, allowing the skin to be visible. The effect is best achieved at the outer corner of the eyes. The Mouth The mouth may be called the most sympathetic part of the face. Its mobility makes it readily responsive to our innermost feelings; indeed, the mouth sometimes betrays our deepest thoughts. With the eye it makes up a language that is unmistakably communicated. In making up the feminine lips the width and the cupid's bow should be in pleasing proportion to the other features. To achieve this, sometimes the natural lip lines may have to be concealed. This is done by applying lip rouge, forming the desired shape and size, then carefully spreading the ground color with a tinting brush to the edges of the new lip line. To hide line of demarcation or impression of such, pat the complete surface of the concealed line with the index finger. Men, in applying lip rouge, must avoid the appearance of a cupid's bow. Strange to say, this is often overlooked. If one lip is more prominent than the other, use two shades. A dark shade to subdue the prominent lip and a bright shade to accentuate the other. A jovial, good-natured expression is affected by tilting the ends of the mouth upward. A worried, haggard, painful expression is made by drooping the ends of the mouth. f \ Left to Right: Natural lip line. Same lips made smaller. Jovial mouth. Tragic mouth