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WIDE FILM DEVELOPMENT
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and those who are advocating 65 mm. width to be the ideal frame size for perfect reproduction on the screen. The same claim to stereoscopic depth that is visible in the Grandeur is claimed by Fear and other advocates of the 65 mm. width. Fear also claims that the 65 mm. film is of such size that the lens covers the entire field, which is one of the problems in the use of the 70 millimeter width.
As Mr. Fear's new 65 millimeter camera was not introduced when the article on cameras was prepared for this publication we
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Actual size of the 6 5 mm. dim.
feel that it will be well at this point to give a few details of the camera for this width at this time.
From the cameraman's point of view, the most interesting feature of this new camera is the fact that it may be used for either 35 mm. standard or for the 65 mm. film. It is normally built for use with 65 mm. But a special movement has been constructed for 35 mm. use, and is interchangeable with the 65 millimeter movement — requiring only a few minutes' times for the change. Two interchangeable sprocket and roller assemblies have been developed. So, by merely removing one movement and substituting the other the camera is interchangeable.
When the Fearless camera is purchased for 65 mm. superfilm or for special size wide film, the accompanying magazines are designed so that 35 mm. film can also be used in them. This is accomplished by providing the film rollers with a relief so that the 35 mm. film is properly guided into the magazine and by furnishing special take-up spools for the narrow film. These spools hold the film