Cinematographic annual : 1930 (1930)

Record Details:

Title:
Cinematographic annual : 1930
Date:
1930
Publisher:
Hollywood : The American Society of Cinematographers, Inc.
Volume:
Cinematographic annual : 1930
Leaf #:
000427
Language:
English
Subjects:
Motion Pictures, Motion Picture Technology
Collection:
Books
Format:
Books
Contributor:
Media History Digital Library
Sponsor:
{"Media History Digital Library","Richard Koszarski","Jeff Joseph"}
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

REPRODUCTION IN THE THEATRE 407 in a long shot is played too loudly, the illusion is also spoiled. Volume should be raised for a crowded theatre over what it is for a half filled one. The sound track on film is about .100 inches wide and re SP/JCE. b d □ o a 0 0OQOO000DQ0/ T 1 r i 0 C 0 DlOlD 0 D 0 D 0 0 POD B/acAer?/nq $p//ce For Yaru/nq W/dft? Sound Afecord. /0 0 0 0 0 0 D D D 0 0 D DO 0 FTR BiiiapH 1 D 0 0| 0 |0 00000000 fyockeninq So/ice for Ifaryinq Density Sound /decoraf. FIGURE 5 Accepted practice for blackening splices. places that amount of picture. The old ratio of picture height to width was 3 to 4, a frame being approximately %/' x 1". Removing .100 inches in width leaves the picture nearly square. Theatres seem to prefer the 3x4 picture for artistic reasons and to secure interchangeability with films of the old standard size by merely changing lenses. It has become the practice in many theatres, therefore, to use an aperture which restores the 3x4