Cinematographic annual : 1930 (1930)

Record Details:

Title:
Cinematographic annual : 1930
Date:
1930
Publisher:
Hollywood : The American Society of Cinematographers, Inc.
Volume:
Cinematographic annual : 1930
Leaf #:
000441
Language:
English
Subjects:
Motion Pictures, Motion Picture Technology
Collection:
Books
Format:
Books
Contributor:
Media History Digital Library
Sponsor:
{"Media History Digital Library","Richard Koszarski","Jeff Joseph"}
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
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TECHNIC OF RECORDING CONTROL 421 necessary to appear to lay any stress on the exceptions by enumerating a few. However, it is necessary from certain practical considerations to occasionally control the volume during recording. An instance of this is as follows : when two actors, playing ».o 1 ' *r* 3 •• S o.l ■ "■ 'St 5 o.* "*\T \ s 2 o.r * 04 1 °'4 !! •-* 8 Oil VtJ rs n CM MOON IN WHI « SHOULD FA XO THAT IS M »4 OATI j. roA COODMQ MM LH m rr iii volume or not MO 1000000 in cuote tot. FIGURE 6 opposite one another, have very different voice intensities, it is legitimate to have one volume setting for the weaker voiced speaker and another for the louder voiced speaker. This technic should only be used when the speakers' voices differ sufficiently, so that they would be unsuitable from the standpoint of the legitimate stage. A second example would be the case of very soft dialogue of long duration occurring within a scene. It is then advisable to raise the level of this slightly, to avoid the danger of its being interfered with by surface noise after the prints become old. Other similar situations would naturally be handled in a similar manner. This rule might be restated as : Never touch the mixer dials during a take unless there is an important artistic reason for the resulting unnaturalness. The final matter is scoring. Scoring is normally divided into two parts, pre-scoring and post-scoring. Pre-scoring refers