Cine-mundial (1923)

Record Details:

Title:
Cine-mundial
Date:
1923
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1923)
Leaf #:
00016
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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CINE-MUNDIAL olozCo A'UN-HoFIBRE FAMA PoR SU Mia no J. RELLY UES, sí señor. Yo conozco un hombre malo. Es una especie rara sobre la faz de la tierra. Los SS hombres malos escaseamos. ( Esta afirmación intrigará a ÍA > muchos lectores de CINE — MUNDIAL que, si se han tomado la molestia de imaginarme, me han pintado como un púber querubín de esos que, cuando más, hacen pucheros o se empeñan en aflojar toda la cuerda a una victrola. Y nada tan lejos de la verdad. Yo soy un temerario, perverso entrevistador. Los reformistas se desvelan en acechadoras bandadas pensando cómo impedirme que cuente íntimas vidas y andanzas de las luminarias cinematográficas. Yo soy malo por naturaleza. Y acabo de conocer a un hermano en el crimen. He apretado la mano de un hombre que gana sueldos fabulosos a AC Ld E 4 3 N m $ m gu Love en La Rel (OWNOCE A Utt por ser malo, atrevi|) do, impío, villano, inicuo, sans moral, sans urbanidad, sans f escrüpulo. ;Imagí(e í Al nense Udes! ¡Vaya una feliz manera de 3d be) g^ ganarse la vida! Qué £v ( dese para otros el héroe de matiné, que y) AN o derrama lágrimas y — y suspiros a los pies de la bella heroína. Yo prefiero al hombre malo que chasquea los dedos al ras de la ` HoMBRE MALO.. Love x nuestro redacfor nariz de una bella, y, Reilly en lo» falleres Paramount. con imperio, manda: —¡ Venga una bota de bacardí, chiquita! Y, ¡aire a esas corvas! Voy a presentar a un hombre malo de verdad, — Montagu Love. (Continúa en la página 34) ENERO, 1923 < = =>=>=> a 0)