Cine-mundial (1923)

Record Details:

Title:
Cine-mundial
Date:
1923
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1923)
Leaf #:
00041
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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ENERO, 1923 < CINE-MUNDIAL S 5 Be e IIE ALIIS: ^ er moo :| June Mathis, de “Paramount”, declaróse en favor de la página de rotograbado. Pero Cullen Landis, de “Robertson Cole”, dijo que la prefería en colores y nuestro corresponsal decidió fusilarlo. — Wanda Hawley afirma que “ese lector le simpatiza”, y Theodore Kosloff, de “Famous”, hace una crítica feroz de los artículos de Leoncio. — A Marshall Neilan le gusta más la “Gaveta”. — Cristina Moutt (chilenita, por más sefias e incapaz de romper un plato), se quiere cano nizar en vida a costa de Lasky y Zukor, y Owen Moore, de “Selznick”, permite que nuestro corresponsal le haga una caricatura, que no publicamos, porque no se parece en nada. > PÁGINA 27