Cine-mundial (1923)

Record Details:

Title:
Cine-mundial
Date:
1923
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1923)
Leaf #:
000109
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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Chez Garcia F Dado su vigor y su buena suerte, no hubo que lamentar con ruidosamente desde una altura de diez metros. secuencias dolorosas. Cuando llegó al suelo aseguró a sus compañeros de trabajo que había estado en el cielo, pero que no la quiso San Pedro. E xe $ ARL LAEMMLE, presidente de la Universal, es un hombre de portentosa actividad. Aunque poSee una fortuna de fábula, gusta de llevar personalmente las riendas de todos sus negocios y está in formado de los más pequefios pormenores de cada uno de ellos. mom x AULINE GARON (de la Paramount), recibe por correo, desde hace tres aíios, una extraíia carta de amor. La redacción es siempre la misma. Al principio llegaba escrita a mano, luego en máquina y por (continúa en la página 115) FEBRERO, 1923 < CINE MUNDIAL Agnes Ayres, de Paramount, también declaró sentirse “Ciento por Ciento", pero, en cambio, Frank D. Alexander y James Aubrey, de “Vitagraph", estaban pésimamente de la vista, precisamente porque acababan de contemplar a la susodicha Agnes. En cuanto a Elliott Dexter, de las producciones de Cecil B. de Mille, le prescribió tratamiento eléctrico... MEHHELLEREELEELTLELEEELELTLEL LLLI I A Sylvia Breamer, de la Goldwyn, la quiso hipnotizar, pero los resultados fueron desastrosos para el “doctor” que se quedó medio bizco ante aquella mirada. Y tuvo que ir a buscar remedio a sus propios males en el recetario de Mauricio Tourneur. Ya más tranquilo, salió en busca de Milton Sills, de la Paramount, le tomó el pulso y para probar que al suyo no lo afectaban las beldades, le encendió un cigarro. | LELETETTTETTTFTEETETHELEETEEETLEL ELT] : pond > PÁGINA 87