Cine-mundial (1923)

Record Details:

Title:
Cine-mundial
Date:
1923
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1923)
Leaf #:
000328
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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CINE-MUNDIAL | Mi Mat Lanueva Ueopatra //» | pu. por Guillermo J Reit GIPTO, Tierra de los Muertos, es hoy la tierra de los vivos. Y, como sucede con toda Tierra ES de Muertos, ha sido un difunto quien volvió WR la vida a Egipto. El sello de la eternidad se ha roto al golpe de la piqueta del excavador que, en un día, ha tendido un puente sobre el abismo de treinta siglos. E La Fama, mujer al fin, es veleidosa para conferir favores. El Faraón Tut-ankh-Amen no realizó otra proeza en su vida que la de cavar su magnífica fosa, sobre la cual ha querido la fortuna que no se posasen las manos de vándalos y pillos. Sin embargo, los ojos del mundo están enfocados hoy sobre el Valle de los Reyes y todos pronuncian la extraña conglomeración de sílabas que forman el nombre de Tut-ankh-Amen. Pero hay que tener en cuenta que, en estos tiempos, si queremos inmortalizarnos, no debemos cavar una fosa faraó No, amable lector, el caballero de la derecha no es Rodolfo Valentino, sino el Sr. Belisario Díaz, prominente empresario cinematográfico de Colombia—de paso en Nueva York— y que en esta «scena hace el papel de Marco Antonio ante Nita Naldi, la nueva Cleopatra, mientras nuestro redactor Reilly los mira... Mayo, 1923 <— HAH<««MI a a An