Cine-mundial (1923)

Record Details:

Title:
Cine-mundial
Date:
1923
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1923)
Leaf #:
000453
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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> A ES EAE-ARIS C Io PE ET ra Cie Tito A cipe Yo vivo de las quejas. Yo prospero por las faltas. Yo me beneficio con los errores. Naturalmente, yo no prospero por errores cometidos por FERDINAND V. LUPORINI, INC—INTERNATIOANAL FILM SERVICE, sino por los errores que han sido anotados por exhibidores de todo el mundo de habla espanola contra el viejo régimen de las organizaciones que agenciaban sus compras de películas en Nueva York. e Mi oficina es un Banco de Liquidación de Quejas. Cartas que yo recibo de exhibidores de ultramar protestando de la calamidad ambiente en la compra de películas desde regiones apartadas de este mercado, son una infalible guía para su mejaramiento. Yo he logrado concebir un retrato exacto de las necesidades de los exhibidores, y estoy preparado para ayudarlos. Hace una semana que un exhibidor italiano me escribió lo siguiente: "Cuando yo leo sus anuncios, me parece estar frente a un espejo que ME REPRODUCE... que me señala las dificultades bajo las cuales lucho por conseguir satisfacer siempre a mi clientela con películas que estoy obligado a comprar a base de confianza... Y he decidido poner mi , suerte con mis compras en sus manos”. Este exhibidor italiano, y USTED también, mantendrían su PROPIA oficina de compras en Nueva York si no fuera por lo costoso que semejante empresa resulta. Y lo harían, porque, comprenden que, comprar una tan variable mercancía como la diversión teatral, sin juzgar previamente sus méritos, es fundamentalmente erróneo. Sin embargo, si un exhibidor consciente organiza una agencia de compras de su propiedad en Nueva York, tendría que organizar un paralelo exacto de FERDINAND V. LUPORINI, INC.—INTERNATIONAL FILM SERVICE. ym Esta es SU sucursal compradora, Sr. Exhibidor. Y recuerde esto: Usted no prospera y luego acude a Luporini, sino que ACUDE A LUPORINI e infaliblemente PROSPERA. FERDINAND V. LUPORINIINc. INTERNATIONAL FiLM SÉRVICE 565 FiFTH AVENUE, NUEVA YORK Dirección Cablegráfica: "LUPORINI-New York” No Se Prospera y Luego Se Acude a Luporini, -Se Acude a Luporini e Inevitablemente Se Prospera STRAUSS BUILDING HEADQUARTERS, FERDINAND V. LUPORINI, Inc. 565 FiFTH AVENUE NEW York, N.Y, S MAS j