Cine-mundial (1923)

Record Details:

Title:
Cine-mundial
Date:
1923
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1923)
Leaf #:
000638
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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CINE-MUNDIAL Cine-Mundial en Cinelandia * Por J. M. Sánchez García | AL comenzaron para mí las cosas este mes, cuando por poco me “ahorca, por haberle pedido un beso, Marie Prevost (de la “Warner Brothers”). Y peor fué que, a renglón seguido, Wesley Barry (de la misma compañía) me propinó un concierto de vihuela, con las consiguientes protestas de su can y de este martirizado corresponsal. Fuí a contar mis penas a Cesare Gravina, de la “Universal” que me dió un remedio para quitarme la huella que la soga de Mary dejó en mi pescuezo y, ya más tranquilo, ofrecí una flor a Lucille Rickson, (de la Goldwin”) con tan mala suerte que no sólo la rechazó, sino que llamó en su auxilio a Bull Montana, (de la “Metro”) con las consecuencias que supondrá el piadoso lector. En busca de nuevas emociones, tuve palique con la cupletista Pilar Conde, mi compatriota, y vestido de pachá, o lo que fuere, me dejé retratar por Shirley Mason (de la “Fox”) y le hice una caricatura a Billie Dove (de la “Metro”). Louise Fazenda .(de la misma compañía) me ganó, a cara o Cruz, tres dólares justos y, por vía de consuelo, tomé de la mano a Helene Chadwick (de la “Goldwyn” y después bebí café con Neal Burns y Alice Mason (de Christie Comedies"). Por último, le presenté a Richard Jones (de Mack Sennett) un argumento de película, para que me lo aprobara... ;y me lo hizo pedazos! Día completo, vamos. Sed kA E ILLIE DOVE cursa en la actualidad la carrera de leyes, à la que piensa dedicarse, cuando comprenda que se le ha terminado la lozana primavera de su juventud. x ck ok ESLEY BARRY toma una preparación química, para conservar las muchas pecas que posee en su rostro. | (Continúa en la página 555) SEPTIEMBRE, 1923 <— > PÁGINA 524 |