Cine-mundial (1923)

Record Details:

Title:
Cine-mundial
Date:
1923
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1923)
Leaf #:
000683
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

SEPTIEMBRE, 1923 PÁGINA 565 CINE-MUNDIAL El porqué de la supremacia de First National En un cómputo de exhibidores efectuado por una de las principales revistas de la industria, se demostró que la First National ocupa el primer puesto en la presentación de películas del directores conocidos, —sus nombres significan las mejores producciones obtenibles. La First National adapta para sus películas los argumentos de las novelas que alcanzan los mayo res éxitos en el mundo de la ficción; las obras más aplaudidas de la escena hablada, y los trabajos de los más célebres autores. más exquisito arte y que más éxito de taquilla alcanzan. He aquí el porqué. La First National tiene las estrellas más populares de este país. Sus nombres blasonados en luces frente a un teatro, significan llenos completos. La First National ha traído a sus filas los más geniales Las películas First National son supremas en arte, en sano entretenimiento, y éxito de taquilla. Confíe en la First National. Estrellas y Directores de la First National R Kagan S Xourneu, C.) Na Talmadge d " V Katherine ptm eberala Constance Talmadge * FIRST. 2 NATIONAL: PICTURES į Sylvia | i Breamer Estos Nombres Significan Llenos Completos George Eie rice