Cine-mundial (1923)

Record Details:

Title:
Cine-mundial
Date:
1923
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1923)
Leaf #:
000803
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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PÁGINA 677 im von PRODUCTORES f Editores de la EA ESTRENOS DE ACTUALIDAD— (6° Año de producción) REMEMBRANZA (Remembrance) SHERLOCK HOLMES (Sherlock Holmes) EL ARREPENTIMIENTO (The Sin Flood) MANUAL DEL PERFECTO CASADO (Brothers Under the Skin) TIERRA DE PROMISION ^ (Hungry Hearts) CONVENIO A CIEGAS (A Blind Bargain) EL APOSTOL ROJO (The Strangers’ Banquet) DESENCADENADA (Broken Chains) EL ENEMIGO DEL AMOR (Gimme) Las Peliculas Hablan Todos los Idiomas Las producciones mejores y más universalmente conocidas son las Goldwyn, Cosmopolitan y Distinctive. No nos limitamos a adaptar obras de asunto americano. Escogemos temas de interés universal, no de atracción local, para nuestras producciones. Amor, odio, furia, celos, envidia, son emociones que existen en todo el mundo y que todo el mundo comprende. Las obras que escogemos son creadas alrededor de tales B EL CRISTIANO emociones. (The Christian) LA MARTIR DE LA E AR UNA MEJO DOES er BELLEZA Distribuidores para — Argentina, Uruguay, Distribuidores para—Méjico. (Look Your Best) Paraguay, Chile, Bolivia, Perú, Ecuador. LIBERTY FILM COMPANY PERDIDA Y ENCONTRADA C. BIEKARCK & CO., Habana Cuba. 2 Rio de Janeiro, Brasil. j Distribuidores para—Brasil. Distribuidores para—Cuba. DI DOMENICO Y HNOS. SELECCION FILM SERVICE Bogotá, Colombia. i San Juan, Puerto Rico. . Distribuidores para—Colombia. Distribuidores para—Puerto Rico. FRANCISCO GRANADOS DIAZ Caracas, Venezuela. Distribuidores para — Venezuela TT USC E osmopólitan (Lost and Found) LA FERIA DE LAS VANIDADES (Vanity Fair) ALMAS EN VENTA (Souls for Sale) VOLUNTAD DE HIERRO (Backbone) EL RESCATE DE LA FELICIDAD (Ragged Edge) EGOISTA DE AMOR (The Love Piker) EL ULTIMO MOMENTO (The Last Moment) Menciónese esta revista al dirigirse a los anunciantes