Cine-mundial (1926)

AVENS, *thinksHard, “1 can't drive up ds with this luggage eral other circums not yet aware of him considerably toMildred's where 'onversation about going to bestaged. darned barn gets en the owner— use trying to or Never” — shappen faster d tell them, and u Jke a Mark Twain m Justice. 38 ¿MLET'S consternation at eeing his Pa's ghost taking ir was a mere circumstance arold's consternation when Mr es begin to happen during that ndit huntin “Grandma's Boy.” til the final side-splitting trimph. See it and you'll undertand why “Grandma's Boy” was lloted among the best ten pictures F the year. * Harold only knew it, there”s Mk very fine view to be had m the girder he seems so anx5 to hold on to. Butin spite of view he is bent and detered on getting down to the und. His efforts to reach the | ement—safely—make “Never | aken” an irresistible combina| ¡sand thrills. nd things keep on happening “£ ATROLLING IN SOCIETY” as the old song his seat on the saddle, wi Ya TA Lieutenant discovers that his cap did not blow overboard. And Harold is won signed hadn't dering 1f it was altogether a wise moye to have joined the Navy—in fact, he’s been wondering that ever since he up. Discipline was something he figured on when he decided to go in for life on the rolling deep in “A SailorMade Man.” or if there's any other particular favor you i would like to ask of your friends, take them to see these six Encore Pictures of Harold Lloyd. Makes no difference if they're nursing the blackest grouch of their lives, Lloyd will fill them so full of good humor that they may even ask if they can't lend you money, or give you their automobile or some other trifle. But it's not only the fun of these pictures that makes them so entirely irresistible. It's their speed —the hair-raising stunts—the homely human touches—and Lloyd's versatility. Read the paragraphs under the “stills”* on this page and you'll see how different all six of these pictures are. > If you've no need of thawing out a friend then treat yourself to the six Encore Pictures of Harold Lloyd. Presented by Hal Roach and distributed by Associated Exhibitors, Inc., 7th floor, 35 West 45th Street, New York City, Arthur S. Kane, President. (Physical Distributors, Pathe Exchange, Inc.) ETWEEN entertaining brother-inlaws little darlings—that's what their mother said they were—and hunting burglars at midnight, it’s no wonder that in “I Do” Harold and Mild sneaking suspicion that thef ad-house would seem, 7 (17270) ran, suits Harold to a T—for a while. But although Mr. Lloyd in “Among Those Present” is very much the guest of honor at the week-end party there are several social points he's not exactly wise to. When it comes to fox-hunting— Harold's social position becomes as precarious as ENCORE PICTURES are chosen from hundreds of new motion pictures offered us each year—chosen because they actually entertain the private audiences who see them in advance. A few of the Encore successes are: Harold Lloyd in “Grandma's Boy,” “I Do,” “Now or Never,” “Never Weaken,” “Among Those Ț Present,” and “A Sailor-Made Man.” Constance Binney in “A Bill of Divorcement” — an absorbing drama revealing the depths of human feeling. “Head Hunters of the South Seas?”—a truthful record of a thrilling adventure. x * Florence Vidorin “Alice Adams” —a wonderfully faithful and artistic picturization of Booth Tarkington's prize winning novel;— and other superlatively fine productions. * .* * + To be sure of having all the better photoplays shown in your neighborhood you should form a Better Pictures Council. Every month these Councils receive y impartial reports of all worth-while photoplays, recommend the best pictures to the theatre manager and endorse them to the public. Thus—theatre goers know the best pictures in advance; and the theatre owner is assured of good audiences. Write me perso; — * for the bookAi a Dictures—the mI Pur S. Kane, quozurisV 991 Street, New : pelao e