Cine-mundial (1931)

Record Details:

Title:
Cine-mundial
Date:
1931
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1931)
Leaf #:
000220
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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CINE-MUNDIAL ¡Hipócritas! Los vestidos de la modu de hace treinta, años sólo escondían las modernisimas pantorrillas de Evalyn Knapp y Marian Marsh, de Warner. PÁGINA 216 Apasionado idilio entre la juvenil Marie Dressler y el irresistible Wa llace Beery, ases de. M-G-M. ELISSA LANDI, la blondo beldad que la Fox ha lanzado para la interpretación de películas sonoras angloparlantes. nuestras propias tradiciones. Tiene asegurado el éxito. — Ariza. CUANDO EL AMOR RIE Sonora, toda en castellano. “Fox” Si gustó la producción anterior hablada y cantada por José Mojica y Mona Maris, razón de más para que esta agrade, ya que las canciones poseen mayor encanto y no faltan en ninguna escena importante. Pero no reside sólo en ese detalle su atractivo. El tema tiene consistencia, la dirección es acertada y sobria y la propiedad del vestuario y del diálogo están a la altura de la belleza de los paisajes. Un bravo jinete decide domeñar a una muchacha altiva y a un potro rebelde. Al efecto, emplea sus canciones, su sonrisa y (Continúa en la página 236) MARZO, 1931