Cine-mundial (1935)

Record Details:

Title:
Cine-mundial
Date:
1935
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1935)
Leaf #:
000547
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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UN TRIO DE CINE-KODAKS PARA “LOS AFICIONADOS A “FILMAR”... e Cine-Kodak Eight (8), pe queño y liviano pero com= © « = bleto, reduce a la mitad el + + = 2 costo de filmar: cine del modo ` 3 532 © más sencillo. > LO E por qué envidiar a los “directores”? Ahora puede serlo uno mismo. ¿Estrellas? Ella, los niños, los familiares y amigos. ¿Argumentos? Los juegos y travesuras de los niños, las fiestas en familia, lo que uno quiera. Tan fácil como tomar instantáneas con Kodak es “filmar” películas con el Cine-Kodak. De hecho, éste representa una nueva afición: cine por el método Kodak. Y el trío de Cine-Kodaks presenta una selección para todos los gustos ... y casi para todos los bolsillos. Desde el Cine-Kodak Ezght (8), que cabe en el bolsillo, hasta el Cine-Kodak Especial, capaz de trucos “a la Hollywood,” hay cámaras Kodak que pueden ser las verdaderas estrellas de la “producción” casera. Los Cine-Kodaks “filman” cintas de primera a la primera prueba, y se diferencian sólo en adaptabilidad y dispositivos. Véanse los Cine-Kodaks Eight (8) y “K”? ' en las casas de artículos Kodak o pídase el catálogo (así como detalles acerca del CineKodak Especial) a la dirección correspondiente entre las de más abajo. EASTMAN KODAK COMPANY, ROCHESTER, N. Y., E. U. A. Kodak Argentina, Ltda., 434 Paso 438, Buenos Aires; Kodak Brasileira, Ltd., Caixa Postal 849, Rio de Janeiro; Kodak Colombiana, Ltd., Apartado 834, Barranquilla, Apartado 293, Cali; Kodak Cubana, Ltd., Zenea 236, Habana; Kodak Chilena, Ltd., Casilla 2797, Santiago; Kodak Mexicana, Ltd., San Jerónimo 24, México, D. F.; Kodak Panamá, Ltd., P. O. Box 5027, Ancón, Zona del Canal; Kodak Peruana, Ltd., Divorciadas 650, Lima; Kodak Philippines, Ltd., Dasmariñas 434, Manila; Kodak Uruguaya, Ltd., Colonia 1222, Montevideo. @ El Cine-Kodak “K,” la cåmara más popular para cine de 16 mm. Sencillo y completo, gusta a principiantes y veteranos. e (Abajo) El Cine-Kodak Espectal, cámara de 16 mm. pero del tipo profesional, tiene cuanto pueda desear el entustasta más exigente.