Cine-mundial (1935)

Record Details:

Title:
Cine-mundial
Date:
1935
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1935)
Leaf #:
000581
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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Muchos metros entrar en la confección de este traje de recepción que lleva Jean Parker, estrella de M-G-M. Es de chifén de pétalo de rosa y se distingue por el corpiño plegado que cierra una flor del mismo material. La orla de la falda mide quince yardas de diémetro. e EY Grace Moore muestra aquí un vestido de ter ciopelo verde que, en atrevido contraste, lleva, como imitación de chaleco y por el cuello, piel de leopardo, lo mismo que el manguito y la copa del sombrero. El broche del escote es de oro, brillantes y esmeraldas. Arriba, a la derecha, Sylvia Sidney, de Paramount, vistiendo una creación de etiqueta, de chifén negro con bandas de estrecha cinta de Derecha, Kitty Carlisle, de Paramount, con un traje de franela escocesa, de tono beige, que terciopelo y en la orla de la falda otra más ancha del mismo material. El escote es tan atrevido como original. por tratarse de un modelo otoñal, completa la esclavina de rica piel de marta. El audaz sombrerito lleva una pluma recta en la copa.