Cine-mundial (1935)

Record Details:

Title:
Cine-mundial
Date:
1935
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1935)
Leaf #:
000725
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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Con su esposa, Fredric March leyendo el reparto de la comedia teatral a cuyo estreno asistió lo más granado de Hollywood, en una función reciente del Teatro El Capitán (así se llama). Lejos de la cámara a colores ante la que tanto se lució, la estrella Miriam Hopkins sale de un teatro hollywodense charlando con el bailarínactor Clifton Webb. Novembre, 1935 Grace Moore desembarca en Nueva York Haciendo memorias que orgullosa de sus triunfos en Europa y del datan de medio siglo, dos éxito de su segunda cinta musical para ases del teatro francés que Columbia. se abrazan afectuosamente en Cimiez: le Bargy y la renombrada Cecile Sorel Izquierda, el sensacional boxeador de peso máximo Joe Louis, durante el examen médico ante la Comisión Atlética pocos días antes de su encuentro con Colette D'Arville, con Tito Lusiardo, en una el gigantón Max Baer. escena de la película de Gardel ‘Tango Bar" La niña, aparte de actuar, canta. Un trasbordador alemán de construcción especial que se dispone a hacer el viaje de Hamburgo ¡a Buenos Aires! con la esperanza de realizar el trayecto en cuarenta días. Se ignora si va destinado al 'trasborde” trasatl&ntico Página 717