Cine-mundial (1939)

Record Details:

Title:
Cine-mundial
Date:
1939
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1939)
Leaf #:
000285
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 28, 2022
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BOLLY WOOD Conversaciones radiotelefónicas exclusivas desde nuestra estacion—D-O-N-Q ISE — Ready? ... —Ready! ... —la noticia que voy a darte, va a enorgullecerte. Margo, nuestra Margo, la más exótica de las actrices de Hollywood, jya está filmando una obra en español, su propio idioma, a la vez que en inglés! Mucho le costó decidirse, pero una buena obra (y un buen sueldo) acabaron por convencerla. —En inglés filmó “Crimen sin pasión,” “Rumba,” “Robin Hood de El Dorado,” ¿Qué les parezco? Desde que me salieron los dientes que me faltaban, puedo sonreir con más desparpajo. ¿Y el trajecito, qué? Me llamo Janet Chapman y pongo pimienta en fotodramas de marca Warner. Julio, 1939 Dispensen que nos dé la espalda. Al fin, de todos modos se ve bien. Es Ruth Seeley llamando por teléfono a su novio desde el taller de Paramount, donde trabaja en "Man About Town,” con Jack Benny de astro. Un poco incómodo dentro de su camisa acorazada y de etiqueta, Don Ameche, galán joven de no pocas películas de la 20th Century-Fox, tenor de tablas, pantalla y micrófono y maestro de ceremonias del programa más destacado de la radiodifusión en este país. Es casado, joven y con varios hermanos que se dedican a la música como él. “Winterset,” “Horizontes perdidos” . . . y en cada una de esas obras hizo un tipo diferente, magistralmente intrepretados todos. ¿Cómo no había de tentarla la emoción infinita de crear algo en español? . . Página 317