Cine-mundial (1939)

Record Details:

Title:
Cine-mundial
Date:
1939
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1939)
Leaf #:
000295
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 28, 2022
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A la derecha, Joy Hodges, beldad de la Universal, de etiqueta. A base de encaje rosa palido con bordados de rosa obscuro, la prenda se lleva sobre enagua de tafetán del mismo tono. Resaltan los hilos de oro que le dan brillo. Las mangas son abullonadas y la falda muy amplia, aunque ceñida por el talle. SE ES er A la izquierda, Gloria Dickson, de Warner Brothers, en trajecito de bolero que contrasta con la tela a cuadros del resto (azules y blancos). El chaquetín es azul marino y forrado con el material a cuadros que, de revés, sobresale al borde de las mangas. La banda del sombrero de paja, azul también. seit Arriba, Jane Bryan, luminar de Warner Brothers, con vestido de tarde: es de seda de jérsey negra y se moldea por el talle para acampanar la falda. Sobre el corpiño, blanquisimo hilo bordado. El sombrero es también original. A la derecha, Patricia Morison, de Paramount, muestra este traje de recepción, de tul blanco, cuya falda múltiple y de secciones sobrepuestas sucesivamente se cierra con cintu-6n de plata maciza bajo el corpiño sin cintes de sostén.