Cine-mundial (1939)

Page scan 000297 from Cine-mundial

Record Details:

Title:
Cine-mundial
Date:
1939
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1939)
Leaf #:
000297
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Sharles Coburn, Leonard Penn y Ginger Rogers en "Little Mother," película de 2KO-Radio en que la protagonista tiene que convencer al mundo de que no es la namá de un chico expósito. Con eso hay de sobra para complicar las cosas. El destino, en la forma convencional, abre sus puertas a Lucille Ball. ¿No acaba de desembarcar? ¿No le echa la primera mirada lánguida Allan Lane? ¿No ocurre todo en tierras tropicales? Se trata de "Panama Lady,” de RKO-Radio. Con dos niñas de este calibre encabezando el reparto (Bette Davis y Miriam Hopkins), la película—"The Old Maid,” de Warner Brothers—de antemano debe resultar digna de verse. Ester Fernández, que tiene el primer papel en "Luces de la Barriada," fotodrama mejicano en que también aparece el Chato Ortín y que distribuye por los países de habla castellana la Columbia Pictures. Tito Guízar y Martín Garralaga (éste poco menos que inconocible con semejantes indumentos) en la película en español y con música "Charro Cantor,” que distribuirá Paramount en la América Latina. A la izquierda, un instante de “The Sun Never Sets," de Universal, con Basil Rathbone, Bárbara O'Neil, Melville Cooper y Douglas Fairbanks, hijo, en lo que se supone ser una colonia del Africa Meridional.