Cine-mundial (1940)

Record Details:

Title:
Cine-mundial
Date:
1940
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1940)
Leaf #:
00083
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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А la derecha, los tres mosqueteros del salón de baile: Fred Astaire, George Mur phy y Eleanor Powell, charlando en el taller de M-G-M donde participan en "Melodía de Broadway de 1940". К^ Admirando de arriba a abajo (¿y quién no?) a Ann Sothern, John Carroll, que con ella figura en "Congo Maisie", por cuenta de M-G-M. Ella, escucha, teje y se deja querer. charlo, pues su nido lo hicieron con plumas de cisne. Hablamos de su vuelta al Cine. Dolores está filmando ahora, en los estudios de la Metro, una interesante producción, de ambiente americano, “Arouse and Beware,” con Wallace Beery, dirigidos por Leslie Fenton. Dolores hace un papel de rusa— como la Garbo lo hizo en “Ninoska”—y está encantada de asomarse otra vez a la pantalla fílmica. Y se siente orgullosa de que la hayan escuchado y no la presenten con lujosos vestidos, como modelo de Modas, sino como actriz que no necesita de trapos ni joyas para hacerse admirar. ¿Cuándo podremos verla en nuestro Cine, honrándolo con su arte, iluminándolo con su resplandor? . . . Su respuesta es elo Cada cual tiene su modo personal de servirse del trampolín. La rubia llona Massey, por ejemplo, lo utiliza para lucir sus soberbias curvas. Es de M-G-M y sale an "Ва[аlaika" con Nelson Eddy.