Cine-mundial (1942)

Record Details:

Title:
Cine-mundial
Date:
1942
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1942)
Leaf #:
000392
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
July 26, 2023
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LO QUE VISTOS LAS ESTRELISS Ultimos modelos de Holly Por Selmánde A la izquierda, Frances Dee, estrella de la empresa Columbia, .en pajamas de casa. Son de franela roja con estampados de seda, como la blusa, que es de seda estampada en brillntes tonos rojos, azules, verdes y amarillos. Las aplicaciones del pantalón, en forma de flores, son del mismo material que la blusa. A la izquierda, Dorothy Lamour, estrella de Paramount, vistiendo un negligé persa que va sobre un camisén de dormir de chiffón, con mangas de las llamadas de obispo. La prenda no alcanza más que hasta el hombro y tiene, por delante, paneles de hilo de plata bordado, con tema oriental. A la derecha, Frances Gifford, de Paramount y de novia. El traje es de satén, con larga falda y cola en forma de abanico. El corpiño ajustado lleva un largo peplo. El alto escote lleva encajes y el velo se ajusta con una sarta de menudas perlas. El ramillete da una nota militar. Es de gardenias sostenidas por un bastoncillo marcial.