Cine-mundial (1942)

Record Details:

Title:
Cine-mundial
Date:
1942
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1942)
Leaf #:
000393
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
July 26, 2023
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Patricia Morison, luminar de Paramount, en traje de recepción blance y negro. La falda, de crespón negro 'amusade,' tiene alto el talle. El corpiño sin cuello y de crespón blanco va dividido por el centro y lleva borde contrastante negro, lo mismo que las mangas de estilo kimona. Lleva menudas piedritas falsas rojas en fila por el cuello y el frente. O f E | y PA JA : 5 ' A la derecha, Frances Dee, de | ¡ la Columbia Pictures, en un | traje de su guardarropa personal. Es de etiqueta, de línea clásica, con mangas que rebasan el codo sin llegar a la muñeca y con escote muy alto. La tela es de jersey blanco, y son los pliegues estilo túnica griega los que dan chic al modelo. END GEE A la izquierda, Arline Judge, de Paramount, en vestido de calle pero de modelo deportivo. De gabardina blanca, su falda sin pliegues queda debajo de una chaqueta larga que se cierra con amplisimo yugo de gabardina escarlata. Los bolsillos llevan un elegante reborde de tela del mismo material y color rojo. A la derecha, Adele Mara, artista de la Columbia Pictures, con un trajecito ‘para jugar," de tres piezas. El faldellin va plegado en derredor. Por encima, dejando desnuda parte del torso, va otra pieza que se abrocha por las axilas. La sobrefalda es muy amplia y tiene bolsillos. La tela es rayón de colores rojo y blanco. Pagina 38 9472 gi na ee 20 re