Cine-mundial (1942)

Record Details:

Title:
Cine-mundial
Date:
1942
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1942)
Leaf #:
000514
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
July 26, 2023
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LO UE VIRT Aao Eo TREC AD Por Selmande Abajo, Joan Leslie, una de las artistas más populares y elegantes de la empresa Warner, con traje a cuadros blancos y negros— que luce, por cierto, en su pelicula "The Hard Way''—y que se distingue por lo acampanado de las mangas por el hombro y por lo amplio de los pliegues de la falda. En el cuello, reborde de bengalina blanca. El cinturón, de terciopelo negro. Arriba, Adele Mara, luminar de la Columbia Pictures, vistiendo un modelo de crespón negro con yugo tanto anterior como en la espalda que se marca con redecilla de seda negra. Las mangas son muy cortas, para lucir los brazos, como lo hace la joven en "Bailando Nace el Amor”. Por la izquierda, Mary Martin, actriz de la Paramount, luciendo un modelo del modisto DuBois, a base de género de lana y de cuero. La falda estilo escocés es de dos tonos: chartreuse y gris; la chaqueta, lleva grandes solapas que son de tono chartreuse solo y que rompen la severidad del estilo sastre del conjunto. Se abrocha con lazos de gamuza. La blusa es de crespón gris, armonizando con calzado y bolsito. Cine-Mundial