Cine-mundial (1942)

Record Details:

Title:
Cine-mundial
Date:
1942
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1942)
Leaf #:
000515
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
July 26, 2023
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Joan Leslie, del elenco de Warner, vistiendo un sencillo trape negro. La chaqueta, a la moda, es corta y ceñida. La falda, ceñida también, hace resaltar el único adorno del traje: el cordón negro, blanco y oro que cierra la chaqueta por delante y que perfila los falsos bolsillos. El sombrero lleva una gran cinta de terciopelo negro. Mary Martin, de la Paramount, con un exótico vestido de recepción cuya nota sobresaliente es la sencillez. Es de crespón rosado. Como adorno, sólo lleva estampados de hojas azules y negras que marcan el pliegue de la falda, y que, en los mismo matices, sirven de borde al escote y sostienen el corpiño. Noviembre, 1942 Alexis Smith, de Warner, con un vestidito de casa, sencillo pero muy original por su corte y por lo atrevido del yugo y de las mangas que quitan masculinidad al modelo. La falda y los paneles son gris claro, pero el yugo y las mangas están hechos de la misma tela en matiz mucho más obscuro del mismo gris. Traje a la colegiala, de estilo escocés y a rayas pardas y blancas sobre fondo de melocotón, que luce Anne Shirley, estrella de Paramount, en su cinta “Lady Bodyguard". La falda tiene un poco de vuelo; pero la blusa, de largas mangas y de crespón blanco, se ajusta con hebilla dorada que imita la tela. Página 509 |