Cine-mundial (1942)

Record Details:

Title:
Cine-mundial
Date:
1942
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1942)
Leaf #:
000557
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
July 26, 2023
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Amm Sheridan, quizás la más brillante de las estrellas de la empresa Warner y sin duda una de las más deslumbrantes del Lienzo contemporáneo, en un retrato especial para esta revista. Su próxima interpretación será para una comedia adaptada del teatro y de éxito ruidoso en Broadway: "Fascinación Fatal". Lana Turner. por la izquierda, y vestida de novia para casarse en películas —de marca M-G-M—esconde bajo su aparente indiferencia de rubia uno de los temperamentos artísticos más completos del cine. Su papá, maestro de baile, fué el que la impulsó ante las cámaras. Diciembre, 1942 Página 551