Cine-mundial (1943)

Record Details:

Title:
Cine-mundial
Date:
1943
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1943)
Leaf #:
00029
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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Marzo, Por la izquierda, Loretta Young con un "jumper", que usa en la cinta de Columbia "¡Qué noche Aguélla!" De crespón azul, la falda es de vuelo y el corpiño ajustado y largo. Organdí y encaje blancos sirven рага las mangas abullonadas, y el borde, en ondas, del escote. En la falda, hay otro borde angosto de encaje. A la derecha, Jane Wyman, lucero de la empresa Warner, con un moderno abrigo de entretiempo, de color azul marino y que lleva un panel de astrakán en el delantero, alcanzando hasta cuello y hombros. La botonadura es forrada de azul marino. El sombrero de anchas alas es de terciopelo negro y los guantes de cabritilla, negra también. Rita Hayworth, estrella de la Columbia Pictures y una de las artistas más a la moda, dentro y fuera de la pantalla, mostrando 1943 aquí tres diferentes aspectos del elegante peinado que realza su caballera rubia. fotografias—como la sonrisa—son de suyo elocuentes y reveladoras. No es necesario describirlos, ya que las Página 109