Cine-mundial (1943)

Record Details:

Title:
Cine-mundial
Date:
1943
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1943)
Leaf #:
00076
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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Sospechosísimo con tan tremendas gafas, Cary Grant, a quien presta escelente compañía Priscilla Lane para la protagonización del fotodrama "Arsénico pare los Viejos", de Warner. A la derecha, Carole Landis poniendo en su lugar a George Murphy, desorientadísimo en la zarzuela cinematográfica de Artistas Unidos "jHola, Preciosa!" Noshacemos eco del piropo. Haciendo de parisién acaudalada en la Riviera, Joan Crawford se divierte en la playa mientras las huestes nazis marchan sobre París . . . en la película "Reunión en Francia”, de M-G-M. Truenos de tempestad. En el auto, relampagueando, Donald Woods y Paul Lukas. Centelleante, Bette Davis. Atrás, un chico curioso. La película, "Sacrificio por mis Hijos", de la empresa Warner. P o r Estrenar Ida Lupino acariciando las barbas a Monty Woolly en una escena de la producción de Twentieth Century-Fox "La Vida Empieza de Noche”. Cine-Mundial'