Cine-mundial (1944)

Record Details:

Title:
Cine-mundial
Date:
1944
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1944)
Leaf #:
000143
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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& de Otro hombre invisible... Pat O’Brien, productor ... Las medias de Greta Garbo... Rita Hayworth y Veronica | Lake en pleito con | sus estudios. Por Don Q Eddie Cantor recibiendo la primera leccién de anatomía más o menos aplicada debajo de una mesa y en un momento incómodo de su film "Show Business” (RKO-Radio). "Abril, 1944 ‘ € John Murray Anderson, célebre director de cuadros de baile, da, muy senta dito en la silla, instrucciones coreográficas a Esther Williams, estrella de M-G-M . . . que se pasó nadando 25 minutos de cada hora mientras se filmaba "Aquí Viene un Hombre". Az celebrar el décimo aniversario de su llegada a Hollywood, Ida Lupino, cuando charlamos con ella y con Paul Henreid en el “set?” de la Warner, donde ambos filmaron la película “In Our Time,” nos dice en secreto que cada uno de los diez años representa un peldaño en la escalera de su ascensión al estrellato. He aquí como los describe la primera actriz, una de las más bellas e inteli gentes de la pantalla norteamericana: Primer peldaño: “Llegué a Hollywood, y llegué por lo que pudiera llamar un engaño a conciencia. Alguien envió a la Pa ramount un recorte de un periódico de Inglaterra con un retrato mio, en el que aparecía como una niña angelical, precisamente del tipo que se buscaba en el estudio para la película “Alice In Wonderland.” Cuando llegué a la Paramount, a mediados de mayo Página 185