Cine-mundial (1944)

Page scan 000176 from Cine-mundial

Record Details:

Title:
Cine-mundial
Date:
1944
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1944)
Leaf #:
000176
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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Ann Sheridan, luminar de Warner, | siempre elegante, con un vestido de entretiempo que acentúa el tono azul pálido. Sobre la tela de ese color hay adornos del propio azul más intenso y cintitas negras a | ambos lados del escote. Los guantes y el cinturón son negros también. El sombrero es rojo vivo. La propia artista de Warner vistiendo un original traje de coctel", de mangas extremadamente largas y con abundante tela para plegarse desde el hombro hasta la muñeca. Este corpiño es color de rosa con brillantes piedrecillas falsas. La falda, de crespón negro. Selmande se fijó en el guardarropa de Ann Sheridan para estas tres poses de última moda que brinda a muestras lectoras Aquí Ann lleva un traje de lana suave y de color violeta, cuya falda tiene tres alforzas diagonales en cada cadera. La chaqueta de bolero carece de cuello, y la blusa, blanca, va estampada con adornos de tono "fuschia" y engalanada con breve lazo en el escote. Página 218 Cine-Mundial